1920 HALLOWEEN Moon shines on MOONSHINE Prohibition See you in CUBA TED LEWIS

Description

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A series of great rare labels - from 1901 Victor Monarch and Climax Records through late 30s test and trial records:
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Record companies provided theme records for many occasions and holidays, however there were no specific records for Halloween.
In this recording The moon shines on the moonshine is built around the famous Villain's Theme used in the silent movies.
The Villain or The Villain's Theme, is a piece of music whose earliest known publication was in 1914, when it appeared in an early collection of incidental photoplay music aimed at accompanists for silent films. The main motif, with minor variations, has become a well-known and widely used device (or "cliche")
Both a character theme (the "traditional 'bad-guy' cue"[2]) and situation theme,[3] it is used to herald foreboding or disaster and to represent villainy, sneakiness, or stealth.
Ted Lewis had been Columbias recording star bandleader for over a decade.
Here in two Prohibition themed songs.
Moonshine is built around the Villain theme, starts out ominously as a voodoo like fox trot in minor key, to segue later into an instrumental blues.
Cuba is an uptime song, about escaping Prohibition to Havana, where booze and senioritas are a plenty
The moon shines on the moonshine
Dance music : Fox trot
Robert Hood Bowers (composer)
Francis De Witt (lyricist)
Ted Lewis Jazz Band (Musical group)
Ted Lewis (leader)
Ted Lewis (vocalist)
Description: Jazz/dance band, with male vocal solo
3/28/1920 New York, New York  Columbia A2927
I'll see you in C-U-B-A
Dance music : Fox trot
Irving Berlin (composer)
Ted Lewis Jazz Band (Musical group)
Ted Lewis (vocalist : whistling)
Ted Lewis (leader)
Description: Jazz/dance band, with whistling
3/14/1920 New York, New York Columbia A2927
Please see top of the page for condition
From RedhotJazz Site
Ted was called the "High Hat Tragedian of Song". He was a true Vaudevillian. He had no voice, but could "put over" a song. He played what he himself called a "gashouse" clarinet, yet he had one of the best of the commercial Dixieland bands, with a real feel for the Blues (billing himself as "The Medicine Man of the Blues"). Perhaps his best hits were "When My Baby Smiles at Me" and "Me and My Shadow". He really didn't 'sing' these songs, he spoke them. (Diseuse - Sprechgesang). Even today's listeners still tap their feet and smile while listening to his music.
Ted Lewis and his Band was one of the best selling Jazz bands of the 1920s and Lewis was Columbia Records best selling artist. Lewis got his start with Earl Fuller's Famous Jazz Band in 1917, but his clarinet antics soon made him the star of the group and he went solo in 1919, taking most of the musicians from Fuller's band with him. In 1924 Lewis hired George Brunies of the New Orleans Rhythm Kings and in 1928 he hired Muggsy Spainer. Over the years many up-and-coming Jazz greats like Benny Goodman, Jack Teagarden and Jimmy Dorsey passed through the band early in their careers. With all of this talent passing through the band they were really starting to swing by the early 1930s as evidenced in tunes like Jazznocracy, White Heat and Rhythm, but as the Depression worn on Lewis had become more of a Pop vocalist and Jazz was not figuring as prominently in the mix. Most modern Jazz histories overlook or downplay  Ted Lewis' role in the development of Jazz. When he is mentioned he is often dismissed as being commercial and corny, but Lewis was a true Jazz pioneer and on his best songs like Dip Your Brush In Sunshine it is easy to understand why he was so popular.
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