1928 TED LEWIS BAND SHE IS FUNNY THAT WAY/ Wear a Hat Silver Lining COL 1656-D

Description

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A series of great  JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola Records
When Columbia lured Victor's top Bandleader, Paul Whiteman to join its ranks, Columbia rewarded him with his signature POTATOHEAD Whiteman Picture label. Now Ted Lewis had been Columbias recording star bandleader for over a decade. So he deserved equal treatment. With his trademark battered High Hat (Top Hat for the British : ), Ted Lewis got this exquisite silver backed picture label all for himself. Most issues are after the start of the depression, Lewis Trademark Picture labels are some rare finds.
Ted Lewis and his Band  - this is the original version without the picture label
With a great bluesy guitar solo opening and guitar/ muted trumpet duet
Ted Lewis And His Band ?– Wear A Hat With A Silver Lining / She's Funny That Way
Label:
Columbia ?– 1656-D
A Wear A Hat With A Silver Lining
Written By – Sherman & Bryan
B (I Got A Woman Crazy For Me) She's Funny That Way
Written By – Moret & Whiting
10" 78 rpm record
Condition:
VERY GOOD PLUS PLUS, unworn but rubs, rare finest scratch, plays E exceptionally quiet rare ticks
A SUPERB COPY
From RedhotJazz Site
Ted was called the "High Hat Tragedian of Song". He was a true Vaudevillian. He had no voice, but could "put over" a song. He played what he himself called a "gashouse" clarinet, yet he had one of the best of the commercial Dixieland bands, with a real feel for the Blues (billing himself as "The Medicine Man of the Blues"). Perhaps his best hits were "When My Baby Smiles at Me" and "Me and My Shadow". He really didn't 'sing' these songs, he spoke them. (Diseuse - Sprechgesang). Even today's listeners still tap their feet and smile while listening to his music.
Ted Lewis and his Band was one of the best selling Jazz bands of the 1920s and Lewis was Columbia Records best selling artist. Lewis got his start with Earl Fuller's Famous Jazz Band in 1917, but his clarinet antics soon made him the star of the group and he went solo in 1919, taking most of the musicians from Fuller's band with him. In 1924 Lewis hired George Brunies of the New Orleans Rhythm Kings and in 1928 he hired Muggsy Spainer. Over the years many up-and-coming Jazz greats like Benny Goodman, Jack Teagarden and Jimmy Dorsey passed through the band early in their careers. With all of this talent passing through the band they were really starting to swing by the early 1930s as evidenced in tunes like Jazznocracy, White Heat and Rhythm, but as the Depression worn on Lewis had become more of a Pop vocalist and Jazz was not figuring as prominently in the mix. Most modern Jazz histories overlook or downplay  Ted Lewis' role in the development of Jazz. When he is mentioned he is often dismissed as being commercial and corny, but Lewis was a true Jazz pioneer and on his best songs like Dip Your Brush In Sunshine it is easy to understand why he was so popular.
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